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    The Power of Place

    By Ivan Barnett

    Ivan’s abode, front door on Brisa.  Image Ivan Barnett.

    “A house is much more than a mere shelter; it should lift us emotionally and spiritually.” — John Saladino

    There are certain rooms that do more than contain us.

    They witness us.

    They hold our doubts, our ambitions, our failures, and those fleeting moments when something entirely new comes into being. Over time, they become less like real estate and more like companions. They absorb our routines and quietly shape who we become.

    For the past twenty-five years, 1033 Brisa Circle home and studio have been that kind of place for me.

    Tucked into the understated neighborhood just above Hansen’s Lumber, on a quiet cul-de-sac just minutes from the historic heart of Santa Fe, 1033 Brisa has been my longest-inhabited and most prolific creative space. Behind its soft adobe walls, thousands of ideas were born. Paintings were made. Essays were written. Exhibitions were conceived. Serious Play took shape. Salon 1033 emerged. My youngest daughter grew up here. Countless conversations unfolded around the kitchen table and in the studio, each one adding another layer to the life of the space.

    Natural light moves gracefully through the rooms.  There is breathing room — both physically and emotionally.  Outside, jackrabbits dart through the arroyos, owls pass overhead, and the dirt roads invite long contemplative walks. It is a place where imagination settles in and feels at home.

    In December, the Santa Fe New Mexican featured what they called “My Favorite Room,” a quiet corner of the house where I journal most mornings. It is a modest living room, but for me it became a launching pad — a place where scattered thoughts slowly transformed into plans, essays, and creative initiatives. That room reminded me that meaningful work often begins in silence.

    Sky from my Brisa Studio window.  Image by Ivan Barnett

    As I prepare to say good bye to life at 1033 Brisa, I am struck by how emotional it feels to dismantle a studio of twenty-five years. Artists understand that a studio is not simply a workspace. It is a psychological ecosystem. Every object carries memory: a photograph pinned to the wall, a scrap of metal saved for future use, a note from someone dear. Some of these fragments have traveled with me through seven studios over five decades. They offer continuity, reassurance, and a subtle sense of psychic ease.

    And now, just around the bend off Goodnight Trail, a new chapter awaits.

    Bordering open BLM land and near the rugged beauty of Diablo Canyon, the new studio offers a different landscape but the same essential promise: a place to begin again. The walls are new. The view is different. Yet as familiar objects find their places, the spirit of the studio returns.

    That realization inspired the next chapter of Salon 1033.

    On Sunday, August 2, 2026, we will gather in this new space to explore a question that feels especially resonant:

    How does place shape our creative spirits?

    Daughter Grace, who spent her entire life on Brisa. Image Ivan Barnett.

    I will share what it has meant to let go of one beloved studio and to build another. More importantly, I hope our guests will bring their own stories of rooms, landscapes, and environments that have quietly shaped their lives and work.

    Salon 1033 remains intentionally small — a thoughtful circle of diverse voices gathered not to perform, but to listen deeply and speak honestly.

    For the older I become, the more convinced I am that place matters in ways that are difficult to put into exact words.

    Certain rooms steady us. Certain landscapes awaken us. Certain spaces become silent collaborators in the work of becoming ourselves.

    1033 Brisa Circle has been such a place for me.

    It was never just a house.

    It was a trusted companion.

    And like all great companions, it changed me.

    “Space is not a scientific object removed from ideology or politics; it has always been political and strategic.” — Henri Lefebvre

    Sometimes, if we are fortunate, a room becomes more than shelter.

    It becomes part of our story.

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    Al Cota

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